![]() I argue in this dissertation that Dylan’s search for salvation takes place within a distinct range of different contexts, which include the longing for social salvation, the striving towards individual fulfilment, the desire for salvation through romantic relationships, and the constant journey towards an idealized place that will bring about a sense of salvation and redemption, while at the same time the idea of religious salvation in a more general sense can also be seen as hovering over all of these more specific contexts. One of these themes is the perpetual search for salvation, which runs throughout his entire work, while at the same time taking significantly different forms. In his prolific output Dylan deals with a number of recurring themes, which he constantly revisits and develops. It has been commented on in terms of interpretation of the lyrics of his songs, of their musical treatment, and of the distinctiveness of Dylan’s performance style, while Dylan himself has been treated both as an important figure in the world of popular music, and also as an artist, as a significant poet. Bob Dylan’s work has frequently been the object of discussion, debate and scholarly research.
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